Inyoung Lee’s two-hander Surviving Strangers has an admirably simple set-up. Data analyst Adam (Fred Arnot) bumps into newly arrived Korean visitor Eve (Inyoung Lee) on a busy metropolitan street and, gentlemen as he is, offers to help with her heavy suitcase. They have lunch and there is a mutual attraction. She invites him up to her tiny, rented apartment for some ramen noodles and some boisterous canoodling. Next morning these two strangers wake up to shrieking police sirens and a changed world: a toxic virus is sweeping across the city, and everyone has to stay just where they are. Unable to leave the flat and with only a stuffed pink pig for company, these two have to learn to get along. What could go wrong? Well, things can only really go one of two ways here. No spoilers here, but the fate of this budding romance is telegraphed in the first ten minutes, something which leaves the piece palpably lacking in dramatic tension.
Surviving Strangers captures the stresses, strains, and restless tedium of lockdown reasonably well. Amongst other things the couple have to manage the challenge of simultaneous Zoom meetings, his snoring, her dire taste in TV boxsets, their mismatched sleeping patterns, exercise schedules and taste in food, and a feeling on both sides that all they really want is some alone-time. The coping mechanisms of sex, drinking, sharing dance tips, “what do you like about me?” conversations, and playing interminable games help, but in the end these two broadly likeable people just get on each other’s (and frankly, our) nerves.
The problem here is that beneath the surface representation of lockdown angst, familiar enough to most, there is not a lot going on in Surviving Strangers. The show purports to be about the impact of cultural differences on relationships, but beyond some linguistic misunderstandings there are no such differences on display. Nor is there any attempt at interrogating what cultural or personal values drive these individuals to behave the way they do. Neither have a backstory or journey to speak of, which leaves us with two affable (if flat) characters, not getting on for 70 minutes. When Harry Met Sally it ain’t.
Korean Janggu drummer Jun Seok de Back provides a resonant soundscape. Arnot is a goofily engaging and boisterously energetic Adam, whose attempts to learn Korean provide some of the show’s few comic moments. Writer Lee’s performance as the homesick, fish-out-of-water Eve neatly confounds unconscious stereotypes about Asian women: she is liberated, mouthy, physically expressive, and determined to get her way. Unfortunately, neither performance saves Surviving Strangers from being almost as tedious as the lockdown it describes.
Writer: Inyoung Lee
Co-Directors: Helen Iskander and Henry Charnock
18 November 2022
Duration: 70 minutes
More Recent Reviews
The King of Hollywood. White Bear Theatre.
Douglas Fairbanks was a groundbreaking figure in early American cinema. Celebrated for his larger-than-life screen presence and athletic prowess, [...]
Gay Pride and No Prejudice. Union Theatre
Queer-inspired reimaginations of Jane Austen’s Pride and Prejudice are a more common species than one might initially imagine. Hollywood [...]
Knife on the Table. Cockpit Theatre.
Knife on the Table, Jonathan Brown’s sober ensemble piece about power struggles, knife violence, and relationships in and around [...]